The Bridges of Madison County Page 9

  “You’re old knapsacks and a truck named Harry and jet airplanes to Asia. And that’s what I want you to be. If your evolutionary branch is a dead end, as you say it is, then I want you to hit that end at full speed. I’m not sure you can do that with me along. Don’t you see, I love you so much that I cannot think of restraining you for a moment. To do that would be to kill the wild, magnificent animal that is you, and the power would die with it.”

  He started to speak, but Francesca stopped him.

  “Robert, I’m not quite finished. If you took me in your arms and carried me to your truck and forced me to go with you, I wouldn’t murmur a complaint. You could do the same thing just by talking to me. But I don’t think you will. You’re too sensitive, too aware of my feelings, for that. And I have feelings of responsibility here.

  “Yes, it’s boring in its way. My life, that is. It lacks romance, eroticism, dancing in the kitchen to candlelight, and the wonderful feel of a man who knows how to love a woman. Most of all, it lacks you. But there’s this damn sense of responsibility I have. To Richard, to the children. Just my leaving, taking away my physical presence, would be hard enough for Richard. That alone might destroy him.

  “On top of that, and this is even worse, he would have to live the rest of his life with the whispers of the people here. ‘That’s Richard Johnson. His hot little Italian wife ran off with some long-haired photographer a few years back.’ Richard would have to suffer that, and the children would hear the snickering of Winterset for as long as they live here. They would suffer, too. And they would hate me for it.

  “As much as I want you and want to be with you and part of you, I can’t tear myself away from the realness of my responsibilities. If you force me, physically or mentally, to go with you, as I said earlier, I cannot fight that. I don’t have the strength, given my feelings for you. In spite of what I said about not taking the road away from you, I’d go because of my own selfish wanting of you.

  “But please don’t make me. Don’t make me give this up, my responsibilities. I cannot do that and live with the thought of it. If I did leave now, those thoughts would turn me into something other than the woman you have come to love.”

  Robert Kincaid was silent. He knew what she was saying about the road and responsibilities and how the guilt could transform her. He knew she was right, in a way. Looking out the window, he fought within himself, fought to understand her feelings. She began to cry.

  Then they held each other for a long time. And he whispered to her, “I have one thing to say, one thing only; I’ll never say it another time, to anyone, and I ask you to remember it: In a universe of ambiguity, this kind of certainty comes only once, and never again, no matter how many lifetimes you live.”

  They made love again that night, Thursday night, lying together until well after sunrise, touching and whispering. Francesca slept a little then, and when she awoke, the sun was high and already hot. She heard one of Harry’s doors creaking and threw on some clothes.

  He had made coffee and was sitting at the kitchen table, smoking, when she got there. He grinned at her. She moved across the room and buried her face in his neck, her hands in his hair, his arms around her waist. He turned her around and sat her on his lap, touching her.

  Finally he stood. He had his old jeans on, with orange suspenders running over a clean khaki shirt, his Red Wing boots were laced tight, the Swiss Army knife was on his belt. His photo vest hung from the back of the chair, the cable release poking out of a pocket. The cowboy was saddled up.

  “I’d better be going.”

  She nodded, beginning to cry. She saw the tears in his eyes, but he kept smiling that little smile of his.

  “Is it okay if I write you sometime? I want to at least send a photo or two.”

  “It’s all right,” Francesca said, wiping her eyes on the towel hanging from the cupboard door. “I’ll make some excuse for getting mail from a hippie photographer, as long as it’s not too much.”

  “You have my Washington address and phone, right?” She nodded. “If I’m not there, call the National Geographic offices. Here, I’ll write the number down for you.” He wrote on the pad by the phone, tore off the sheet, and handed it to her.

  “Or you can always find the number in the magazine. Ask for the editorial offices. They know where I am most of the time.

  “Don’t hesitate if you want to see me, or just to talk. Call me collect anywhere in the world; the charges won’t appear on your bill that way. And I’ll be around here for a few more days. Think about what I’ve said. I can be here, settle the matter in short order, and we could drive northwest together.”

  Francesca said nothing. She knew he could, indeed, settle the matter in short order. Richard was five years younger than him, but no match intellectually or physically for Robert Kincaid.

  He slipped into his vest. Her mind was gone, empty, turning. “Don’t leave, Robert Kincaid,” she could hear herself crying out from somewhere inside.

  Taking her hand, he walked through the back door toward the truck. He opened the driver’s door, put his foot on the running board, then stepped off it and held her again for several minutes. Neither of them spoke; they simply stood there, sending, receiving, imprinting the feel of each on the other, indelibly. Reaffirming the existence of that special being he had talked about.

  For the last time, he let her go and stepped into the truck, sitting there with the door open. Tears running down his cheeks. Tears running down her cheeks. Slowly he pulled the door shut, hinges creaking. Harry was reluctant to start, as usual, but she could hear his boot hitting the accelerator, and the old truck eventually relented.

  He shifted into reverse and sat there with the clutch in. First serious, then with a little grin, pointing toward the lane. “The road, you know. I’ll be in southeast India next month. Want a card from there?”

  She couldn’t speak but said no with a shake of her head. That would be too much for Richard to find in the mailbox. She knew Robert understood. He nodded.

  The truck backed into the farmyard, crunching across the gravel, chickens scattering from under its wheels. Jack chased one of them into the machine shed, barking.

  Robert Kincaid waved to her through the open passenger-side window. She could see the sun flashing off his silver bracelet. The top two buttons of his shirt were open.

  He moved into the lane and down it. Francesca kept wiping her eyes, trying to see, the sunlight making strange prisms from her tears. As she had done the first night they met, she hurried to the head of the lane and watched the old pickup bounce along. At the end of it, the truck stopped, the driver’s door swung open, and he stepped out on the running board. He could see her a hundred yards back, looking small from this distance.

  He stood there, with Harry turning over impatiently in the heat, and stared. Neither of them moved; they already had said good-bye. They just looked—the Iowa farm wife, the creature at the end of his evolutionary branch, one of the last cowboys. For thirty seconds he stood there, his photographer’s eyes missing nothing, making their own image that he never would lose.

  He closed the door, ground the gears, and was crying again as he turned left on the county road toward Winterset. He looked back just before a grove of trees on the northwest edge of the farm would block his view and saw her sitting cross-legged in the dust where the lane began, her head in her hands.

  Richard and the children arrived in early evening with stories of the fair and a ribbon the steer had won before being sold for slaughter. Carolyn was on the phone immediately. It was Friday, and Michael took the pickup truck into town for the things that seventeen-year-old boys do on Friday nights—mostly hang around the square and talk or shout at girls going by in cars. Richard turned on the television, telling Francesca how good the cornbread was as he ate a piece with butter and maple syrup.

  She sat on the front porch swing. Richard came out after his program was finished at ten o’clock. He stretched and said, “Sure is good to b
e home.” Then, looking at her, “You okay, Frannie? You seem a little tired or dreamy or somethin’.”

  “Yes, I’m just fine, Richard. It’s good to have you back safe and sound.”

  “Well, I’m turnin’ in; it’s been a long week at the fair, and I’m bushed. You comin’, Frannie?”

  “Not for a little bit. It’s kind of nice out here, so I think I’ll just sit awhile.” She was tired, but she was also afraid Richard might have sex in mind. She just couldn’t handle that tonight.

  She could hear him walking around in their bedroom, above where she pushed back and forth on the swing, her bare feet on the porch floor. From the back of the house, she could hear Carolyn’s radio playing.

  She avoided going into town for the next few days, aware all the time that Robert Kincaid was only a few miles away. Frankly, she didn’t think she could stop herself if she saw him. She might run to him and say, “Now! We must go now!” She had defied risk to see him at Cedar Bridge, now there was too much risk in seeing him again.

  By Tuesday the groceries were running low and Richard needed a part for the corn picker he was getting back in shape. The day was low-slung, steady rain, light fog, cool for August.

  Richard got his part and had coffee with the other men at the cafe while she shopped for groceries. He knew her schedule and was waiting out in front of the Super Value when she finished. He jumped out, wearing his Allis-Chalmers cap, and helped her load the bags into the Ford pickup, on the seat and around her knees. And she thought of tripods and knapsacks.

  “I’ve got to run up to the implement place again. I forgot one more piece I might need.”

  They drove north on U.S. Route 169, which formed the main street of Winterset. A block south of the Texaco station, she saw Harry rolling away from the pumps, windshield wipers slapping, and out onto the road ahead of them.

  Their momentum brought them up right behind the old pickup, and sitting high in the Ford, she could see a black tarpaulin lashed down tight in the back, outlining a suitcase and guitar case wedged in next to the spare tire lying flat. The back window was rain-spattered, but part of his head was visible. He leaned over as if to get something from the glove box; eight days ago he’d done that and his arm had brushed across her leg. A week ago she’d been in Des Moines buying a pink dress.

  “That truck’s a long way from home,” remarked Richard. “Washington State. Looks like a woman driving it; long hair, anyway. On second thought, I’ll bet it’s that photographer they been talkin’ about at the cafe.”

  They followed Robert Kincaid a few blocks north to where 169 intersected with 92 running east and west. It was a four-way stop, with heavy cross traffic in all directions, complicated by the rain and the fog, which had gotten heavier.

  For maybe twenty seconds they sat there. He was up ahead, only thirty feet from her. She could still do it. Get out and run to Harry’s right door, climb in over the knapsacks and cooler and tripods.

  Since Robert Kincaid had driven away from her last Friday, she realized, in spite of how much she thought she’d cared for him then, she had nonetheless badly underestimated her feelings. That didn’t seem possible, but it was true. She had begun to understand what he already understood.

  But she sat frozen by her responsibilities, staring at that back window harder than she had ever looked at anything in her life. His left signal light came on. In a moment he’d be gone. Richard was fiddling with the Ford’s radio.

  She began to see things in slow motion, some curious trick of the mind. His turn came, and… slowly… slowly… he moved Harry into the intersection—she could visualize his long legs working the clutch and accelerator and the muscles in his right forearm flexing as he shifted gears— curling left now onto 92 toward Council Bluffs, the Black Hills, and the Northwest… slowly… slowly… the old pickup came around… so slowly it came around through the intersection, putting its nose to the west.

  Squinting through tears and rain and fog, she could barely make out the faded red paint on the door: “Kincaid Photography—Bellingham, Washington.”

  He had lowered his window to help him get through the bad visibility as he turned. He made the corner, and she could see his hair blowing as he began to accelerate down 92, heading west, rolling up the window as he drove.

  “Oh, Christ—oh, Jesus Christ Almighty… no!” The words were inside of her. “I was wrong, Robert, I was wrong to stay… but I can’t go…. Let me tell you again… why I can’t go…. Tell me again why I should go.”

  And she heard his voice coming back down the highway. “In a universe of ambiguity, this kind of certainty comes only once, and never again, no matter how many lifetimes you live.”

  Richard took the truck across the intersection heading north. She looked for an instant past his face toward Harry’s red taillights moving off into the fog and rain. The old Chevy pickup looked small beside a huge semitrailer rig roaring into Winterset, spraying a wave of road water over the last cowboy.

  “Good-bye, Robert Kincaid,” she whispered, and began to cry, openly.

  Richard looked over at her. “What’s wrong, Frannie? Will you please tell me what’s wrong with you?”

  “Richard, I just need some time to myself. I’ll be all right in a few minutes.”

  Richard tuned in the noon livestock reports, looked over at her, and shook his head.

  Ashes

  Night had come to Madison County. It was 1987, her sixty-seventh birthday. Francesca had been lying on her bed for two hours. She could see and touch and smell and hear all of it from twenty-two years ago.

  She had remembered, then remembered again. The image of those red taillights moving west along Iowa 92 in the rain and fog had stalked her for more than two decades. She touched her breasts and could feel his chest muscles sweeping over them. God, she loved him so. Loved him then, more than she thought possible, loved him now even more. She would have done anything for him except destroy her family and maybe him as well.

  She went down the stairs and sat at the old kitchen table with the yellow Formica top. Richard had bought a new one; he’d insisted on it. But she’d also asked that the old one be stored in a shed, and she had wrapped it carefully in plastic before it was put away.

  “I don’t see why you’re so attached to this old table, anyway,” he had complained while helping her move it. After Richard died, Michael had brought it back into the house for her and never asked why she wanted it in place of the newer one. He’d just looked at her in a questioning way. She’d said nothing.

  Now she sat at the table. Then, going to the cupboard, she took down two white candles with small brass holders. She lit the candles and turned on the radio, slowly adjusting the dial until she found some quiet music.

  She stood by the sink for a long time, her head tilted slightly upward, looking at his face, and whispered, “I remember you, Robert Kincaid. Maybe the High-Desert Master was right. Maybe you were the last one. Maybe the cowboys are all close to dying by now.”

  Before Richard died, she had never tried to call Kincaid or to write, either, though she had balanced on the knife edge of it every day for years. If she talked to him one more time, she would go to him. If she wrote him, she knew he would come for her. That’s how close it was. Through the years he never called or wrote again, after sending her the one package with the photographs and the manuscript. She knew he understood how she felt and the complications he could cause in her life.

  She subscribed to National Geographic in September of 1965. The article on the covered bridges appeared the following year, and there was Roseman Bridge in warm first light, the morning he had found her note. The cover was his photo of a team pulling a wagon toward Hogback Bridge. He had written the text for the article as well.

  On the back page of the magazine, the writers and photographers were featured, and occasionally there were photographs of them. He was there sometimes. The same long silver hair, the bracelet, jeans or khakis, cameras hanging off his shoulders, the ve
ins standing out on his arms. In the Kalahari, at the walls of Jaipur in India, in a canoe in Guatemala, in northern Canada. The road and the cowboy.

  She clipped these and kept them in the manila envelope with the covered-bridge issue of the magazine, the manuscript, the two photographs, and his letter. She put the envelope beneath her underwear in the bureau, a place Richard would never look. And like some distant observer tracking him through the years, she watched Robert Kincaid grow older.

  The grin was still there, even the long, lean body with the good muscles. But she could tell by the lines around his eyes, the slight droop of the strong shoulders, the slowly sagging face. She could tell. She had studied that body more closely than anything else in her life, more closely than her own body. And his aging made her long even more for him, if that was possible. She suspected— no, she knew—he was by himself. And he was.

  In the candlelight, at the table, she studied the clippings. He looked out at her from places far away. She came to the special picture from a 1967 issue. He was by a river in East Africa, facing the camera and up close to it, squatting down, getting ready to take a photograph of something.

  When she had first looked at this clipping, years ago, she could see the silver chain around his neck now had a small medallion attached to it. Michael was away at college, and when Richard and Carolyn had gone to bed, she got out a powerful magnifying glass Michael had used for his stamp collection when he was young and brought it close to the photo.

  “My God,” she breathed. The medallion said “Francesca” on it. That was his one small indiscretion, and she forgave him for it, smiling. In all of the photos after that, the medallion was always there on the silver chain.

  After 1975 she never saw him again in the magazine. His byline was absent as well. She searched every issue but found nothing. He would have been sixty-two that year.

  When Richard died in 1979, when the funeral was over and the children had gone back to their own homes, she thought about calling Robert Kincaid. He would be sixty-six; she was fifty-nine. There was still time, even with the loss of fourteen years. She thought hard about it for a week and finally took the number off his letterhead and dialed it.